Uncategorized - L. Darby Gibbs ~ Author https://testoldtheme.johnschneider.dev Epic & Romantic Fantasy Wed, 13 Feb 2013 14:00:00 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.1 https://testoldtheme.johnschneider.dev/wp-content/uploads/2025/10/cropped-dragon-site-icon-32x32.jpg Uncategorized - L. Darby Gibbs ~ Author https://testoldtheme.johnschneider.dev 32 32 Narrative modes ~ #1 the Heroic Journey https://testoldtheme.johnschneider.dev/narrative-modes-1-heroic-journey/?utm_source=rss&utm_medium=rss&utm_campaign=narrative-modes-1-heroic-journey https://testoldtheme.johnschneider.dev/narrative-modes-1-heroic-journey/#respond Wed, 13 Feb 2013 14:00:00 +0000 https://inkaboutpub.com/narrative-modes-1-heroic-journey/ Boon Organizing your novel or story around a narrative mode can help your story follow a reliable framework and ensure you maintain your reader’s interest.  The heroic journey is a great narrative structure to follow and is one of the most popular in use, just check out every Pixar movie. The heroic journey calls for...

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Boon

Organizing your novel or story around a narrative mode can help your story follow a reliable framework and ensure you maintain your reader’s interest.  The heroic journey is a great narrative structure to follow and is one of the most popular in use, just check out every Pixar movie.

The heroic journey calls for several elements and in a fairly standard order.  There are variants in the structure, but this is one in common use.

  1. The main character, in this case the average Joe or Joelyne (potential hero) arrives on the scene.  
  2. An event occurs which forces Joe to leave his home and go in search of something important.  This is known as the call to adventure.  The event can be falling in love, having someone he cares about become sick, a favor asked for by someone, something taken away he must retrieve, or a trick used to get him out out of the way.
  3. What Joe needs can be a magic item, forgiveness, a physical quality, knowledge, a person, any number of things, a.k.a., the boon.    
  4. He need not go alone.  He may bring along friends (known as companions) to aid him in acquiring his boon.  The companions come in several archetypes: the simpleton, the loyal friend, the trickster, the guide, and there are many others.  They also can be acquired in the course of the journey.
  5. Frequently, the hero is not recognized as a hero, but he/she may already have a secret weapon.  This is known as a talisman and is used to give the hero strength.   It can be anything you can imagine: an object, a physical quality, intelligence, a innocent token carried for sentimental reasons, an inherited object.  The talisman must play an important role in the course of the journey, though it starts out innocent of any value.
  6. He must leave what is known and enter the unknown.  This is a case of crossing the threshold.  He has lived in a world where the rules are obvious and normal (the overworld).  When he crosses, he will find himself in the underworld where everything he has known will no longer apply.  The locations are often jungles, forests, desert, but could be just as easily, a country the hero has not been to, an experience, such as bungee jumping.  He will have to face several trials as he travels to acquire his boon.  These trials are challenges that strengthen the hero as he wins each one. Tests of strength and intelligence are the usual fair.  Traditionally, they are monsters, riddles, and puzzles that force the hero to mature for the final feat required to earn the boon.  For non-fantasy stories, personal fears and weaknesses can supply plenty of challenges.
  7. Along the way, he may face a challenge that is too great for him.  In this case, supernatural intervention is available to come to his aid.  The source of this intervention can be his talisman, the guide who is a companion or an outside force that provides the necessary time he needs to come up with his own means of meeting the challenge.
  8. After the final challenge, he receives his boon.  This can be a crucial event.  A nice twist at this point can be that he gets the boon he needs rather than the one he sought.  So the fellow searching for money and fame, finds the girl of his dreams instead or the woman determined to find independence and individual freedom, gives it up for someone else’s needs, but it gives her satisfaction.
  9. The last step is the hero recrossing the threshold, returning to his original home and integrating into society as a recognized hero.

And so the story is told, and the reader’s attention maintained. Next week, is the Faustian Legend narrative mode.

 The Little Handbook of Narrative Frameworks available on Smashwords and Amazon.

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Tuesday prompt: 2012 #7 https://testoldtheme.johnschneider.dev/tuesday-prompt-2012-7/?utm_source=rss&utm_medium=rss&utm_campaign=tuesday-prompt-2012-7 https://testoldtheme.johnschneider.dev/tuesday-prompt-2012-7/#respond Tue, 14 Feb 2012 16:00:00 +0000 https://inkaboutpub.com/tuesday-prompt-2012-7/ In Dickens’ A Tale of Two Cities, Mr. Lorry holds an imaginary conversation with Dr. Manette, who is newly released from prison. The imaginary conversation is tied around the question, “How long have you been buried?” It takes numerous twists and turns as Lorry considers all the variety of ways that Manette could reply, keeping...

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In Dickens’ A Tale of Two Cities, Mr. Lorry holds an imaginary conversation with Dr. Manette, who is newly released from prison. The imaginary conversation is tied around the question, “How long have you been buried?” It takes numerous twists and turns as Lorry considers all the variety of ways that Manette could reply, keeping in mind that the man may be suffering from madness after his long confinement and unable to maintain a coherent conversation.

exerpt:

“Buried how long?”
The answer was always the same: “Almost eighteen years.”
“You had abandoned all hope of being dug out?”
“They tell me so.”
“I hope you care to live?”
“I can’t say.”
“Shall I show her to you?  Will you come and see her?”

The answers to this question were various and contradictory.  Sometimes the broken reply was, “Wait! It would kill me if I saw her too soon.” Sometimes, it was given in a tender rain of tears, and then it was, “Take me to her.”  Sometimes it was staring and bewildered, and then it was, “I don’t know her.  I don’t understand.”

So for this prompt, have one character ask a question that is open to metaphorical interpretation. The response to the question should be an imagined response, and like Lorry’s conversation in A Tale of Two Cities repeated with slight variations so that the conflict is slowly developed.

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It’s not the words, but the interplay of them https://testoldtheme.johnschneider.dev/its-not-words-but-interplay-of-the/?utm_source=rss&utm_medium=rss&utm_campaign=its-not-words-but-interplay-of-the https://testoldtheme.johnschneider.dev/its-not-words-but-interplay-of-the/#respond Wed, 08 Feb 2012 16:00:00 +0000 https://inkaboutpub.com/its-not-words-but-interplay-of-the/ I have read A Tale of Two Cities numerous times and have made notations up and down the margins north, south, east and west.  The reading of it always mesmerizes me with the detail and development of character, setting and connection, of what has gone and what is to come. “Do you particularly like the...

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I have read A Tale of Two Cities numerous times and have made notations up and down the margins north, south, east and west.  The reading of it always mesmerizes me with the detail and development of character, setting and connection, of what has gone and what is to come.

“Do you particularly like the man?” he muttered, at his own image. “Why should you particularly like a man who resembles you?  There is nothing in you to like; you know that.  Ah, confound you! What a change you have made in yourself!  A good reason for taking a man, that he shows you what you have fallen away from, and what you might have been? Change places with him and would you have been looked at by those blue eyes as he was, and commiserated by that agitated face as he was?  Come on, and have it out in plain words!  You hate the fellow.”

Oh, poor Carton, who loves Lucie but not himself enough to push aside his determined fate.

Or Monsieur the Marquis as he travels home from Paris, just late from his most recent evil:

The Monsieur the Marquis in red

The sunset struck so brilliantly into the travelling (sic) carriage when it gained the hill-top, (sic) that its occupant was steeped in crimson.  “It will die out,” said Monsieur the Marquis, glancing at his hands, “directly.”

Blood not just on his hands but all over him, “steeped in crimson” and “will die out.”  And so his bloodline nearly does; he certainly does and almost “directly.”

I love to get lost in Dicken’s flow of words, so deeply knitted together as though the whole cloth of the story was life as he moves characters in and out of the spotlight until the reader is entirely uncertain who should be followed, main character and supporting shifting places constantly, just as life works, each of us moving in and out of the limelight with the people we most care about.

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Tuesday Prompt: 2012 #6 https://testoldtheme.johnschneider.dev/tuesday-prompt-2012-6/?utm_source=rss&utm_medium=rss&utm_campaign=tuesday-prompt-2012-6 https://testoldtheme.johnschneider.dev/tuesday-prompt-2012-6/#respond Tue, 07 Feb 2012 16:00:00 +0000 https://inkaboutpub.com/tuesday-prompt-2012-6/ Highway heading of into the distance Today write using a image or item as a symbol of something important going on is a character’s life.  Bright colors on the beach may be indicative of the variety of choice a person has, or the image of a long road of twists and turns moving off into...

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Highway heading of into the distance

Today write using a image or item as a symbol of something important going on is a character’s life.  Bright colors on the beach may be indicative of the variety of choice a person has, or the image of a long road of twists and turns moving off into the distance may relate to the confused route the person is taking to get to a goal.  Pick an item off your desk or something you tripped over today and see what it can bring for symbolic value to a character you are working on.

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The incredible disappearing Q W E R T Y https://testoldtheme.johnschneider.dev/incredible-disappearing-q-w-e-r-t-y/?utm_source=rss&utm_medium=rss&utm_campaign=incredible-disappearing-q-w-e-r-t-y https://testoldtheme.johnschneider.dev/incredible-disappearing-q-w-e-r-t-y/#respond Thu, 29 Dec 2011 02:45:00 +0000 https://inkaboutpub.com/incredible-disappearing-q-w-e-r-t-y/ The incredible disappearing QWERTY. What is the most important tool for me as a writer?  That is easy: a keyboard.  I mention this as I have noticed that over the years of owning various computers that the keyboard letters are fading more quickly with each new purchase as I upgrade. In essence, as I upgrade...

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The incredible disappearing QWERTY.

What is the most important tool for me as a writer?  That is easy: a keyboard.  I mention this as I have noticed that over the years of owning various computers that the keyboard letters are fading more quickly with each new purchase as I upgrade. In essence, as I upgrade the computer, technology seems to be downgrading the durability of the lettering.  I am fairly proficient at keyboarding, but I do use certain letters as landmarks for where other keys are when I am not sitting at my desk.

You know the routine.  There are several things to get done, so I turn on the computer, run to move laundry to the dryer, come back and enter my login, but I am not sitting down, so I have to hunt and peck to locate the keys.  Only, E, R, T, I, S, D, H, L, C, and N are completely gone, and several are in the process of disappearing.  So this simple entering of a login turns into a frustrating moment of trying to visualize a keyboard my fingers know well, but my eyes do not.

Each time I sit down at my computer and note this particular annoyance, I
think of a new way I can replace these keys markers:  paint (the
obvious: would nail polish work?  I have a really nice opalescent.), etch them in with a hot needle (somewhat raised as the
original keyboards were), replace the keys, buy replacement stickers,
buy a new keyboard (really?!), etc.

Sure keyboards are a throw away item, so excess durability is useless. 
But I want to be the one to decide when my keyboard is ready to go the
will-a-the-wisp, and I’ll make the decision based on letters showing or
not showing on my screen not disappearing off my keyboard.

Maybe I just need to use my P’s and Q’s a lot more and my R’s and E’s a lot less.

Update:  I purchased replacement letters to stick on the blank keys.  Then my husband bought me a new computer a month later. So the keyboard letter wear is great on the old keyboard. My new one: well less than a year later the lovely backlit letters began to not fade, but disappear in a whole new fashion.

The keys are cut into the layer of “paint” so the light can glow the letter. But that “paint” is getting scratched off so my keyboard letters are now taking on this sort of smudged effect, rather like a ultra modernist painter swished a vaguely alphabetic impression on the board. The culprit letters are: E, S, D, T, N and M.  No surprise there. Except that I had the previous keyboard near ten years, and this one lasted a mere year.

I am still not using those P’s and Q’s all that much.

Any suggestions?  Should we strike, demand keyboards with raised letters, argue functionality over bells and whistles?  Maybe I’ll just nail polish this time.

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Last 2011 Tuesday prompt https://testoldtheme.johnschneider.dev/last-2011-tuesday-promp/?utm_source=rss&utm_medium=rss&utm_campaign=last-2011-tuesday-promp https://testoldtheme.johnschneider.dev/last-2011-tuesday-promp/#respond Tue, 27 Dec 2011 16:19:00 +0000 https://inkaboutpub.com/last-2011-tuesday-promp/ Look through your memories and find one that was especially sad.   Think about all the details.  Make yourself sad. Now write it down in a narrative voice that is not yours.   Write it in poetry, personal prose or short story.  Add this twist to it: Look at it from a funny perspective.  Be smiling when...

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Look through your memories and find one that was especially sad.   Think about all the details.  Make yourself sad. Now write it down in a narrative voice that is not yours.   Write it in poetry, personal prose or short story.  Add this twist to it: Look at it from a funny perspective.  Be smiling when you are done.

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The best can come out of the bits and pieces https://testoldtheme.johnschneider.dev/best-can-come-out-of-bits-and-pieces/?utm_source=rss&utm_medium=rss&utm_campaign=best-can-come-out-of-bits-and-pieces https://testoldtheme.johnschneider.dev/best-can-come-out-of-bits-and-pieces/#respond Wed, 21 Dec 2011 16:15:00 +0000 https://inkaboutpub.com/best-can-come-out-of-bits-and-pieces/ I have always been a believer in the idea that there are things that are specifically made to fit a situation or need, but one can always come up with a bypass if that item is just not available. This is how I manage to deal with computers that don’t want to work or when...

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I have always been a believer in the idea that there are things that are specifically made to fit a situation or need, but one can always come up with a bypass if that item is just not available. This is how I manage to deal with computers that don’t want to work or when an overhead projector at school decides to go on the fritz. Being a teacher, I need to be ready for every contingency.  I remind my students of this outlook when one tells me the computer died just as she was about to type a homework assignment (pull out a pencil and write) or his printer broke (email it). (Computers crashing far outnumber dogs eating homework these days).  I think I learned this make-do style from my father.

My mom always did the cooking, but there were rare times when she was too sick and my father had to take over.  He never minded, she always did.  He would look in the refrigerator and start pulling things out.  A pot on the stove was the destination for everything he found.  In the end, the bubbling mass would look like a poor quality of concrete ready for pouring.  We would make burritos with it, adding cheddar cheese and taco sauce.  Though it looked disgusting, it was delicious.

When my mom was well enough to return to the kitchen, we would all make her “sick” with our rapturous descriptions of Dad’s “Slab” recipe.

I look at writing this way, too.  Need a name for a character to be common but memorable:  I pick an average name, Fred for instance, and add/delete a letter.  Fned Carson is one of the characters in my short story tentatively titled “Scrapper.”  He’s an average guy whose life has been flowing downhill for awhile (something that happened to my father for a time, too). My main character Moekaff, an eight-year-old boy, is left at Carson’s Rest, a transport rest stop and restaurant. There the two suffer separately as they try to deal with rough times.  I needed Fned to be both an addition to Moe’s troubles but also a man with a right to be angry and depressed, ready to take out his frustrations on this kid who is himself in mourning.  They don’t save each other, but they do share their misery and somehow walk away with possibilities.  But that is only a part of the journey Moekaff takes before he finds a place to call home again.  I am still finishing this story and hope to make it part of an anthology of science fiction stories I have written.  As soon as it’s done, I’ll finish my redraft on my second novel of my Students of Jumps series, No Time Like the Present.

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It’s Tuesday — so here’s the prompt https://testoldtheme.johnschneider.dev/its-tuesday-so-heres-promp/?utm_source=rss&utm_medium=rss&utm_campaign=its-tuesday-so-heres-promp https://testoldtheme.johnschneider.dev/its-tuesday-so-heres-promp/#respond Wed, 21 Dec 2011 02:19:00 +0000 https://inkaboutpub.com/its-tuesday-so-heres-promp/ Your main character is asleep and though it is early, the sun is lightening the room enough to discern furnishings and objects about the place.  Have your main character begin his usual wake up routine.  When he gets up to sit on the side of the bed for the last residuals of sleep to pass,...

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Your main character is asleep and though it is early, the sun is lightening the room enough to discern furnishings and objects about the place.  Have your main character begin his usual wake up routine.  When he gets up to sit on the side of the bed for the last residuals of sleep to pass, have him notice something in the room that is just not as it should be.  Maybe someone else’s shoes are next to the bureau or perhaps different jewelry is in the tray where cufflinks or earrings are normally left to be put away later or used again.  Maybe the bedding is not the same as it was the night before. Whatever it is that is different, have your character figure out why it is.

(To avoid the he/she, his/her, etc., inserts to avoid saying “they,” I put a male reference and for no other reason.  Replace it with a female reference if needed.)

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