Questions and answers.

I’ve already written about the decision to stop working on my contemporary novel to work on what I thought was just a fantasy short story. I think a followup is due as just this week I finished the 99K draft of the fantasy novel. It took less than two months to write, with an average of 7,000 words per week that included teaching, lesson planning, grading and professional development.

This was a completely different process for me. I wrote nearly every day for at least two hours; on weekends closer to six per day. In the past my books have taken a year to write, with a great deal of redrafting. I just finished the book, so I don’t feel I can say that this one won’t take similar grueling redraft work, but the first draft process has certainly been a different run.

In the last few days I’ve been doing cleanup on the draft and expanding a bit here and there. Nothing monumental. I want to get the draft out to my beta readers as soon as possible. This also forces me to step back from the work and let it grow cold. Then when I look at it again with the input of my beta readers, I’ll be able to be less attached and really consider their suggestions. The book has felt like it wrote itself, so I really need the away time and their input to ensure the story arc is well fashioned.

With the first draft so fresh on my mind, I want to list the things I found particularly exciting about this new writing process.

• My characters were constantly chattering in my head. I’d ask a question and the answers would come. What ifs?, why thats?, and who do it?,  inspired scenes playing out along each explanatory line. This Socratic approach to developing character and plot invariably lead to me looking forward to my evening writing session. 
• Because I was writing as the ideas were coming, I often was learning about my characters in the same manner my readers will. Tendencies, reactions, objects that seemed innocent in one scene become important in later scenes. Or limitations or challenges a character had to overcome would teach a skill that was needed later. But very little of it was pre-planned. I don’t usually outline my novels, but I often have much of the plot and the characters developed. Not in this case. I knew the main character and had one scene (the last one) largely imagined.
• Because I had little plotting set down and few characters in mind, there were always surprises that added to the texture and conflicts of the story. One particular scene had two characters upstairs talking. A sound of objects hitting the floor below interrupted them. When one character turned to the other wanting to know an explanation for the sound, I learned about a new character and a on-going conflict my main character was going to have to deal with.
• The daily flow of writing also kept the story line fresh in my mind 
• I keep a OneNote (Microsoft Office program) folder for each book I write, and I turn to my notes whenever I am concerned about continuity. As I wrote this book, potential issues would come to mind, and I would open up my OneNote and add the information immediately. I have several sections: Wielder Lore, Characters and setting, Commerce, Society, Conflicts, and Research. Each was a resource useful for maintaining consistency. Having the story so immediate and the notes entered as the story unfolded kept me involved with the story arc.
• I felt close to the characters and more in tune with their motivations because I was writing almost daily. I was behind by two scenes almost every day, so I never felt that I didn’t know what to write.
• It wanted to be written. There were days when I wished I could just sit back and watch a movie. The book wouldn’t let me or at least not for long. Too much of me needed to keep writing because the characters never stopped being present and active.
• Because I knew the story was always ready to be written, if a thousand words I had just typed looked to be leading in a direction that left my characters milling around uncertain, I would just hit the enter key a few times at the point where everything had felt authentic and ask, “So what are you really doing?” And off the story would run. Sometimes the words already written and set aside would get re-fabricated into the story; other times, I felt confident deleting them.
• The story involves (among other things) a young man learning how to wield magic. Sometimes the magic would just take hold of him and he would wonder what was actually bringing about the results he thought he had initiated. Writing this book, often felt that same way. I, Elldee, would sit down to write and then two hours later, and 2000 words further, I would lean back and wonder what time it was, when I had last eaten and what the heck had I been writing.
• I often would get immersed in my writing with my other books, but that usually occurred a third of the way in; whereas, this book started from the first word as though it had been sitting in me just waiting for me to agree it was time.

All and all, this writing experience has been productive. I wonder if my next writing project will run as quickly and fluidly.

Let me know about your writing process. Do you usually outline and develop in advance or are you a panster? This was my first seat-of-the-pants approach, and I rather liked it.

#shardedboy
#writing

The post My two month run with the book that wrote itself first appeared on L. Darby Gibbs ~ Author.

I’ve been working on a novel, Joanie and Friends, that is based on three retired women who have their lives pretty much set the way they wanted them. They’ve worked hard and married good men. Life is running along well. And then it doesn’t. All three women share in the telling of how they proceed when living life is not the easy road it had been.

I have the conflicts, the characters and the movement of the plot all blocked out in my mind.  I have my notes and the first 13,000 words. But these last three months, hearing their voices has not been easy. I’ve used a number of strategies to get my characters talking, but the results though not bad, have just been a constant wheedling, wrenching and forced expression.

Lately, some notes I have on a fantasy story have been rising up in my mind. Of course, I have been pushing it away because I already have this big project with the ladies that is nowhere near where it should be in word count.

Yesterday, I thought I would just look at my notes on “Standing Stone.” By the end of yesterday, I had more than 3,000 words written but not for Joanie and Friends. So I am stepping away from the contemporary novel and taking up the fantasy story.

With my other books, I was always work on two to three books, poems, stories or a combination of the three at the same time, so why I suddenly decided to focus entirely on one work is a mystery. I think I’ll let the ladies rest for a bit while I work on this fantasy. They’re awfully pushy women when they want to be, and when they’re ready to share more of their story, I am sure I won’t be able to ignore them.

So the lesson I learned is to pay attention to my process. I move from work to work, getting each done in its own time. So “Standing Stone” it is, until it’s Joanie and Friends or something else. Perhaps I’ll work on my poetry collection Fine China Family next. It’s been whispering and clinking in the background off and on, too.

Leave a comment. What’s your process?  What happens when you don’t follow it?

#writing
#process

The post When at first you don’t succeed, try, try and then try something else, then try again first appeared on L. Darby Gibbs ~ Author.

Let’s face it, if you are working at a job that you enjoy and that also pays the bills and writing for publication in your free time, than multitasking is probably a necessary evil. I don’t advocate the idea of using up every moment for productive result at all times: cleaning house, writing, food preparation, outdoor maintenance, etc., leaving yourself without a moment to sit and relax, read a book, talk silly with someone, enjoy the view, and so on. But if you are in the same situation I and many other writers are, you are squeezing time out of anything not related to work and family.

You are multitasking for your craft during the precious moments you have garnered.

I have my own approach to this process.  When the opportunity to write is present, I do the following:

• When I am writing a first draft, I focus all my creative energies on that work. For the most part, I won’t turn to any other writing until the draft is done.
• If I am in redraft, everything changes.  (And you are going to see the paradox of this in relation to the first point.) That’s when I move about from work to work.
• I redraft two ways: clarifying what is already written and adding scenes that expand and develop.
• I plan out my next novel first with Freemind, brainstorming simple hints and ideas I have about plot and character. 
• Next I break down each scene and enter them into yWriter for later development.
• I edit the current work that I am preparing for publication.
• If I have sent out a draft to my beta readers, than I jump into writing my next novel, but…
• If at any time an idea or needed expansion scene comes to mind for the work that is out for feedback, I’ll drop what I am doing and return to that work.
• I work on cover art, blurbs, make changes to social media backgrounds to reflect new or upcoming publications, and generally organize files.
• I back up in two other drives (flash and external drives) everything I have going on.
• If I am beta reading or editing for a writer friend, then I will give over a couple of weeks to that as they arrive.

 What does this look like in real time?  Let me show what last year looked like.

Real time (wish it had time travel button)

1.  The book I was anticipating publishing had the working title Time 3. It was already drafted to the point that I needed my beta reader to look at it. She had sent me her newest work for beta read and I had just finished with that.  So I sent mine off to her in October.  (My year always starts in September, teacher and all that.)
2. I then turned to the work that I had in first draft, Time 4, and began refining and adding scenes.  My beta reader anticipated getting her response back by November, but I had told her to take her time fitting it in to her drafting schedule and did not expect it back before December.
3. Every now and then a flash of concern over a scene would come to mind for Time 3, and I would open it up, make some additions and then return to 4.
4. December was just around the corner and my beta reader was expecting to get it to me by then. I asked her to delay as things were moving so well on Time 4 that I did not want the tug to redraft (damn near wrenching grasp) that would occur when her comments came back. So she held off sending while I wrote madly on Time 4. 
5. January, I gave her the go ahead.  
6. Worked with my beta buddy and husband to come up with a strong title for Time 3. (I now have titles for books I haven’t even thought of!)
7. My mind was beginning to wander onto Time 5, already mapped in Freemind. I started making scene notes in yWriter.
8. Time 4 was reaching a state of full draft and then I realized where I was ending it was not really the end. Back into mapping, and scene notes to plan out the new ending: Characters! Sometimes they yell, “Hey, we’re not done. What about….”  Mine were screaming and waving, and generally making irresistible sense.
9. March, put Time 3 through another redraft per beta reader inspiration.
10. April, working on the house and in strode contemporary novel idea.  Amazing what can come to you when you’re digging foundation holes for concrete.  Stopped work on Time 3 & 4 to begin mapping, character design and scene planning.
11. Returned to Time 4.
12. Still April, sent Time 3 off to a second beta reader.
13. Returned to Time 4 to develop new ending.
14. May, received Time 3’s new feedback.  And made adjustments to clear up issues.
15. July put Time 3 through numerous edits: line, content, reverse, search and replace, formatting.
16. Revised two book covers and updated various necessary sites. Designed cover art for Time 3 and Time 4. Prepared the blurb.
17. Last day of July published Next Time We Meet (Time 3) on Smashwords and Amazon.
18. In July, I received a novel to beta read.  I got to it in August. I took a couple weeks to read and draft comments on my friend’s book.
19. August, returned to work on Time 4.
20. Designed cover art for omnibus three book box set for all books currently published for the Students of Jump series (In Times Passed, No-time like the Present, Next Time We Meet.)
21. Returned to preparing for the new school year.  I haven’t added to any of my ongoing projects since August 11.  Time 4 still has a patchwork ending.  My contemporary fiction idea is barely planned out, and Time 5 is looking a bit bleary eyed.
22. So in the little bits of time that I have available, I am tweeting, reading, visiting Goodreads and Google+, and blogging.
23. And since December 2013, my hubby, daughter and I have been building a house.  Roof is going on this month.
24. But I managed to read three of the Divergent books, two YA books my daughter wanted me to read, all four of Jodi Taylor’s St. Mary’s books.  Another novel by Taylor.   Connie Willis’s Passage, and three other time travel books, both Patterson’s Heinlein biographies, and King’s On Writing.  So I do relax now and then (hmm, or do research depending on how you look at it). And I tweeted, blogged, found pics for Pinterest, commented….

And how do you run your never-take-a-moment-to-sit-down-and-do-nothing writing?

#writing
#creativity
#multitasking

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